Lorenzo’s Portfolio
Article
How the God of War team found the voice of a world that no longer existed The problem started, as many good problems do, with a question nobody could answer: What does Norse mythology actually sound like? It was somewhere in the middle of the five-year…
Behind the argument
This essay looks at how the God of War team approached the sound of a Norse world. It follows the connection between the game’s setting, Bear McCreary’s score and the linguistic proximity of Icelandic to Old Norse.
The design lesson is about reframing a task. Instead of treating every line as an isolated reconstruction problem, the story asks what existing people and practices can bring to the work.
Reading notes
The essay connects the team’s Iceland research trip to decisions about the game’s identity and sound. Landscape, language and music are considered together.
Raising Kratos is the cited documentary context for the game’s development and recording sessions. The essay draws its lesson from that creative process, rather than claiming participation in the production.
Article
How the God of War team found the voice of a world that no longer existed The problem started, as many good problems do, with a question nobody could answer: What does Norse mythology actually sound like? It…